seab:

Eduardo Munoz Bachs, El Caballero inexistente

barcelonavegana:

image

Chirimoya

Imagen de rawpixel

last-picture-show:

image

/ Edward Hopper, The Circle Theater, 1936.

citylawns:

image
image

Cat Power by Mark Borthwick for Vanessa Bruno FW03-04

if-youre-feeling-sinister:

Underlined passage, Wild Strawberries screenplay by Ingmar Bergman

wavesofundoing:

“Every life is many days, day after day. We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-love, but always meeting ourselves.”

James Joyce, Ulysses

aworldofpattern:

image
image
image

Galaxy Bride at Robert Wun Couture FW24

vugnasmineralblog:

Quartz With Apophyllite & Stilbite
Aurangabad, Maharashtra, India

mysharona1987:

image

Happy Independence Day!

53v3nfrn5:

image
image

Cornelia Parker: ‘At the Bottom of This Lake Lies a Piece of the Moon’ (2000)

showings:

And in fact memory is a sort of anti-museum: it is not localizable. Fragments of it come out in legends. Objects and words also have hollow places in which a past sleeps, as in the everyday acts of walking, eating, going to bed, in which ancient revolutions slumber.

Michel de Certeau, tr. Steven F. Rendall | The Practice of Everyday Life

archatlas:

image

Powerful Portraits of Ukrainian Refugees Posing in Front of Their Destroyed Homeland

For Inversion, photographer Danila Tkachenko enlists the help of photojournalists covering the war in Ukraine. He enlarges their images showing the destructive effects of war, places them in well-known areas of Europe, and then asks Ukrainian refugees to pose in front of them. The powerful images are a poignant reminder of what these people left behind and the suffering of their homeland.

image
image
image
image

(Source: mymodernmet.com)

random-brushstrokes:

image

Wojciech Weiss - Radiant Sunset (1902)

skellydun:

what if I wasn’t tired all the time imagine the possibilities